Graphs are justly celebrated for their ability to accurately present phenomena in a compact way while simultaneously provide their context. If this were all that they did, their place in scientific history would be secure. But with suitable data and the right design, they can also convey emotion. Indeed, in some instances graphs provide an emotional impact that can be likened to that of poetry.
In this chapter we imagine a collaboration between the civil rights activist W.E.B. DuBois and the canonized graphic designer C. J. Minard to show The Great Migration of six million African-Americans fleeing the racism and terror in the post-Confederacy South to the industrial North. The result of this gedanken collaboration provides a vivid example of how we can profit from studying the past to help solve the problems of the future.
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Figure 10.1: Mann Gulch fireDistance and time graph of the estimated positions of the crew and
the fire. Distances are estimated from the crew’s turnaround at point
(Pt. 6). The slopes of the lines indicate the rate of movement; the
steeper the line, the faster the rate. The entire tragedy took less than
thirty minutes. |
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Figure 10.2: Kovno GhettoThe population losses in the Kovno Ghetto due primarily to the“Great
Action” of October 28, 1941. Males are represented on the left, females
on the right. The shaded portion represents those still surviving in
November. The central column indicates the age groups from 0–9-year-olds
at the bottom to 70 and older at the top. |
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Figure 10.3: Napoleon march graphicCharles Joseph Minard’s narrative map of Napoleon’s disastrous 1812
Russian campaign. The width of the gray “river” is proportional to the
size of Napoleon’s invading army; its black continuation shows the size
of the returning army. |
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Figure 10.4: Hannibal graphicMinard’s depiction of Hannibal’s army, as it treks across Spain and
France on a brilliant military campaign, but then suffers huge losses
attempting to cross the Alps. |
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Figure 10.5: Da Vinci’s notebookLeonardo’s graphic story of a fetus told with words and incomparable
pictures that disproved Galen of Pergamum’s claim about women’s
bicameral uterus, which had persisted unchallenged for 1,400 years.
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Figure 10.6: Effect of the Emancipation Proclamation“Proportion of freemen and slaves among American Negroes, from 1790
to 1870.” |
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Figure 10.7: Du Bois’s bar chartIncrease of the Negro population of the United States from 1750 until
1890. |
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Figure 10.8: Cartogram maps“Negro population of the United States compared with the total
population of other countries.” |
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Figure 10.9: Cartogram maps“Proportion of Negroes in the total population of the United States.”
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Figure 10.10: Relative growth line chart“Comparative rate of increase of the White and Negro elements of the
population of the United States.” |
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Plate P.17: Minard: imports of cottonA sequence of three graphs showing the sources of cotton imports to
Europe for 1858, 1864, and 1865. The metaphorical blue river represents
imports from the United States, the orange from India. |
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Plate P.18: Population density mapThe distribution of the population of Negroes in the United States.
Shading color shows “Negroes per square mile.” |
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Plate P.19: Flow maps of migrationFigurative maps showing the flows of non-White migrants in America,
1880–1940, using a design inspired by Minard and Du Bois. |
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Plate P.20: Flow maps for 1940Maps showing the numbers of internal migrants by birthplace and place
of residence, as recorded in the 1940 US Census, categorized by racial
group, using a design inspired by Minard. |
Copyright © 2021 Michael Friendly. All rights reserved.
friendly AT yorku DOT ca